“Every eye will see him, even those who pierced him” (Rev.
1:7), this is a triumphant call, an invitation for the gaze, which will pierce
the other as well. Gazing at the body of the other is one of the mechanics of
domination and subjection of the other,[1]
whereas in the book of Revelation as well in the pinnacle of salvation history
(Golgotha), gazing becomes means of victory, salvation and subversion of all
powers of domination. How does Christian salvation through cross, which is the
gazing of body, become an explosive act of subversion, thereby, defeating the
dominant system.
Friedrich Nietzsche remarked “The crucified Christ is the
most sublime of all symbols – even at present.” One could add subversion to the
sublimity of the symbol. Gospel of John exposes us to the strange
subversiveness of the symbol. Christ discusses the symbolism of the salvation
as a gaze, for which, the OT event of serpent in the wilderness is invoked. To
Nicodemus he says, “And just as Moses lifted up the serpent in the wilderness,
so must the Son of Man be lifted up” (John 3:14). The symbol of the serpent and
the gaze of it, effects upon the victim, salvation (Num 21:8-9). Why choose the
symbol of a serpent to allude to Christ and his salvation, becomes a troubling
question. This symbol if not considered subversive then the danger falling into
ophism[2]
becomes immanent. The act of gazing at the serpent as the act of gazing onto
the body of crucified Christ needs to be understood subversive in all its
sublimity.
Why does that symbol become subversive? It could be said
that it was serpent in the garden of bliss subjected humans in order to gaze at
their nakedness, this act of deception and power by the serpent, in order to dominate
and gaze into the nakedness. This gazing of the nakedness symbolizes
humiliating powerlessness and subjection. This act of humiliating and subjecting
the bodies of the powerless by the powerful is perpetuated through many forms throughout
history by the dominant and the powerful. Within this, the gaze of the powerful
upon the powerless and humiliated body has to be reversed or has to be
subverted wherein, the very gaze becomes humiliating defeat for the powerful
and the nudity becomes an explosive symbol of victory by subverting the
domination.
In order to understand this reversal of the gaze and nudity
as explosive subversions we could look at Bathsheba and Samson. David, the “powerful”
king gazes upon the naked body of Bathsheba[3]
(2Sam 11:2), this gaze humiliates and dehumanizes Bathsheba as a person, to a
commodity, which the powerful David could acquire by mere domination. Bathsheba
becomes the nude victim of the gaze and become subjected to the domination.
However, the story does end in triumphal note wherein the nude victim overtakes
the king and the kingdom (1King 1:28-31). The same fate would befall the Philistines
when in arrogant victory call for Samson to “entertain” (Judges 16: 23-31). The
gaze upon blind Samson by the dominant in their galleries would be collapsed by
this blind judge, and forever would bring those gazing from above to the floor
and crushing death. Within these two instances the victims were able to subvert
their dominant masters but still remained within the system. However, with Christ
the subversion is all the more sublime and severe would crush the head of the
serpent forever.
The urge to crush the serpent’s head by the defeated and
humiliated bodies were given to them as a curse to the serpent, “he will strike
your head” (Gen 3:15). Thereby Christ symbolizes his death on the cross as the
lifting up of the serpent on the wilderness. The subversion of the bronze
serpent in the wilderness is: the one who is bitten by these “poisonous” serpents
will be saved from death if they were able to see the death of the serpent on
the pole. Here the subversion works at its purest; the death is made death and
has to be believed to be dead by the one who is dying thereby delivering oneself
from the death of that certain death. In the same way, Christ wishes to
symbolize his death on the cross as the gaze reversed on those who gaze, where
the one who is gazes is the one who hangs on the cross, just as the serpent on
the pole. This powerful subversion is possible only through the exchange of the
symbols; the dominant gaze becomes its own object of gaze. Christ the
humiliated body has to become the serpent of the dominant gaze. At the cross
the gaze and the one who gaze are forever transfixed upon itself in an endless
self-gazing humiliation of the dominant. The liberation comes from the “belief”
that the one who is object of gaze (the Christ) is actually the one who wishes
to gaze (the serpent), only when this is understood the nude body of Christ becomes
liberative symbol against the humiliation of the dominant gazers.
It is in this way the nude protests all around the world are
a highly subversive practice, which is at once repulsive to the dominant, because
the secret gaze is made public and is nullified of its power to humiliate. Nude
protests are not a novelty; Isaiah the prophet becomes a symbol through prophesying
in his naked body (Isa 20:3). Moreover, it could be said Jesus himself seem to
advocate it as a subversive practice as a non-violent violence.[4]
For instance, “if anyone wants to sue you and take your coat, give your cloak
as well,” (Mt 5:40) this action would leave the one sued totally naked in front
of the one who sues thereby forcing the one who sues to gaze upon the naked
body of the sued in the public thereby not shaming oneself, but shaming the other,
the powerful, by reducing him to the gaze, forcefully. Here violence of the
dominant through the mechanics of humiliating bodies is subverted on the
dominant themselves by going nude publicly depriving the powerful of their
power to humiliate through subjection.
It
is here the invitation of the book of Revelation becomes starkly clear as voice
of victory, because all those who gazed upon will be seen themselves in humiliation
because of the deprivation of their power to humiliate. The serpent once gazed
on the nudity, wherein the nudity became an act of subjection towards the powerless
to humiliate them through shame and guilt. It is through the cross of Christ that
the serpent is crushed on its head, or blinded, which doubly deprives it of its
power to neither humiliate nor gaze on the naked body, which is the nakedness
of itself, the public display of them: “He disarmed the rulers and authorities
and made a public example of them, triumphing over them in it” (Col 2:15).
[2] http://www.thefreedictionary.com/Ophism
[3]
For a very good analysis of Rembrandt’s painting of Bathsheba in terms of body,
domination and humiliation, see, Hélène Cixous, Stigmata: Escaping texts, Routledge
classics (London: Routledge, 2005).
[4] See
Walter Wink for the analysis of Jesus’ teaching of non-violent violence or as
he terms “third way,” in Walter Wink, Jesus and nonviolence: A third way,
Facets (Minneapolis, MN: Fortress, 2003). For excerpts see, https://www.ualberta.ca/~cbidwell/DCAS/third.htm.